Cuba

Culture Shock

I’ve entitled this post “Culture Shock” because I’m just going to dump a bunch of information on some of the remaining aspects of Cuban culture, which could easily each have separate posts. Here goes.

Cigars

Everyone told me that I had to buy Cuban cigars while I’m here. Everyone. As if I hadn’t heard all of the hype surrounding them – of course I was going to buy cigars. The question was: where to start? How do I know what’s fake versus real? I still don’t really have an answer. Here’s what I do know:

Cigars here aren’t called “cigarros” – far too Spanglish. They’re “puros.” We visited a puro factory early on, and what we found was a good old-fashioned workshop. Cigar rollers were seated at rows and rows of desks, all rolling different types of cigars. (A fun fact: while they work, someone at the front of the room reads international news to keep them entertained, since they work for eight hours straight). Cigars vary based on the smell, combustibility, and strength of their tobacco leaves. After that, they vary in width, length, and shape (some are pointed at the ends).  The most popular brand of cigars here is Cohiba, but there’s a plethora of options. You can buy these brands for high prices in hotel shops, but you can also buy them in the street. Since I don’t know nearly enough about the difference between fake and real cigars, I wasn’t going down that road. In the end, I bought cigars from Raul Reyes, the farmer with the shack for rockclimbers. Maybe it was just that I trusted this old Cuban climbing fan and wanted to give him some business, but I figured if I could literally see his tobacco plantation just steps away from his shack, these puros had to be real. Raul demonstrated to my roommate, Evyn, the proper technique for smoking them: hack off the end of the puro with a machete, dip the end of it in honey, light the puro, and smoke away. Pretty nifty. Since being here, I’ve only smoked a couple cigars, though not in full. I will admit that it could be a very fun, but expensive, hobby – it doesn’t surprise me that most Cubans stick to cigarettes.

Rum

It’s undeniable: drinking is a large part of Cuban culture, and rum is the driving force. I have searched, and there are literally only three beers here: Cristal, Presidente, and Bucanero (lightest to darkest, and in my opinion, worst to best taste). If you find wine, it’s not Cuban; it’s imported from Spain or elsewhere. Hard alcohol is where the drinking scene lies – mostly in the iconic rum brand, Havana Club, but also a bit in Santiago de Cuba. Anywhere you go, Cuba Libres and mojitos abound. Cuba Libres are the national drink, consisting of Havana Club, refresco nacional “Tu Kola” (the Cuban version of Coca Cola), and lime. Other specialties include the canchánchera, the drink belonging to the province of Trinidad, which is honey, lemon juice, Havana Club, and club soda, and Habana Especial, which is pineapple juice, honey, and rum, sometimes with coconut. Last but not least, piña coladas are very common due to all the beaches, and daiquiris have been popularized through the stories of Hemingway’s time in Cuba. Apparently he drank 15 daiquiris followed by 15 mojitos every day. How he survived, we do not know.

The main takeaway on drinks in Cuba: whatever you drink, it will be STRONG. Cubans do not mess around with their alcohol. To put it in perspective, you often see old Cuban men walking around drinking from these cute little white juice boxes. That’s not juice in that cajita – that’s straight rum.

Art

I am no art expert so I will be brief on this topic. Art is everywhere in Cuba. Graphic design, painting, sculpture, photography – you name it – is hiding around every street corner. You can visit official galleries and museums for good art, such as el Museo de Bellas Artes, but you can find equally compelling, unique art on the streets. Even better, you can actually talk to the artists and make friends with them. Sure, in the tourist shops, there are tons of generic paintings of old-fashioned cars, Che Guevara, Fidel, etc., but there’s plenty more clever, varied, and unique work just next door. You just have to hold out for it.

Theater

While there is not a huge presence of live theater in Cuba, the movie scene is very prevalent. Just two streets down from where we live are several theaters – one named after Cuba’s most famous movie, “Fresa y Chocolate,” another dedicated to Charlie Chaplin. “Fresa y Chocolate” is a movie about two young guys, one homosexual and one heterosexual, who form an unlikely friendship as they both learn what it means to be gay in Cuba, post-revolution. Meanwhile, Charlie Chaplin is just generally popular here. For homework one day, we had to interview Cubans about their favorite movies, and after “Fresa y Chocolate,” I mostly got “Vampiros en la Habana,” “Clandestino,” and “Conducta.” All of my interviewees spoke very highly of the quality of movies in Cuba considering the lack of resources, and felt very passionately that the movies spoke to the reality of life in Cuba. This last part interested me, because with so much censorship by the government, I’d think that movie directors would be limited in what they could convey.

I did watch “Vampiros en la Habana,” since I’d seen so many posters for it, and was admittedly very perplexed. It’s very popular here and praised by many Cubans, but it’s also a very strange animated film. It follows Dracula, a vampire in Spain who tries to come up with a formula that will allow vampires to survive in the sun. He tests the first version of the formula on his father, who dies immediately upon exposure to sunlight. Banished from Spain for his deed, Dracula travels to Cuba and successfully concocts a formula for his nephew Pepe, who is able to live like a human for years with no knowledge of being a vampire. Eventually, vampires in Spain catch wind of this and want to market the formula as “Vampisol” and sell it worldwide. Meanwhile, the vampire mobsters in America are desperate to destroy the formula because they’ve got a monopoly on underground beaches for vampires (if they’re able to live in the sun, the vampires can go to actual beaches). And Dracula, all this time, wants the formula to be free for all vampires. If that’s not one huge social commentary, I don’t know what is.

Music and Dance

I have been working for weeks on an independent project on Cuban music, so if I get too deep into this, my head might explode. Cuban music is, above all, a mix of different cultural influences – primarily Spanish and African influences, due to the Spanish conquistadors arriving in the 1500s and importing slaves for the sugar and tobacco plantations. Through the years, other European influences have infiltrated the music, such as French contredanse, as well as American influences such as jazz, foxtrot, Charleston, etc. Naturally, Latin American and Caribbean nations also have contributed to the music culture. What has resulted is an incredibly rich and diverse group rhythms, from the “son,” the original rhythm that makes heavy use of the claves, to rumba, a boisterous call-and-response style played on pots and pans, among other random objects. Danzón is also very prevalent, stemming from contredanse, as well as bolero, a slower, more romantic genre. After the Revolution of 1959, trova music became popular as a way to express political sentiments. The last noteworthy rhythm is guajiro/campesino, which is the style played by farmers and country folk.

Walk the streets and you will inevitably hear live music. Musicians here typically play the full gamut of Cuban rhythms, on guitar, the laud and tres (12 and 3 string guitars, respectively), claves, the marímbola (thumb piano), flute, stand-up bass, maracas, bongo and conga drums, and so on. The youth mostly listen to reggaeton, which is a mix of hip-hop, pop, and rap, while older generations tend to like the more traditional music and surprisingly, American rock. We often go to an American bar called “Submarino Amarillo,” a wonderfully inventive underground bar dedicated to the Beatles’ Yellow Submarine, where solely cover bands play. On a Saturday night, the majority of attendees are 40-50 year old Cubans, jamming to classic American rock, singing all the English lyrics. Phenomenal.

When it comes to dance, most Cuban dances are a direct result of the musical genres. Cha-cha-cha, salsa, danzón, rumba, charanga – all of them have a corresponding dance. I can’t dance for my life, but I have tried. There’s a very popular salsa club here in Vedado called “1830,” where for three dollars you can enter and have random Cuban men literally drag you onto the dancefloor and start salsa-ing with you. At times it’s too invasive, but for the most part it’s fun and comical. There’s a ridiculous number of middle-aged white women dancing with Cuban men, sloppily drunk and marveling at the grandeur of it all. If you don’t want to bear that preposterous sight or the advances of relentless Cubans, you can also find classes offered all over the city.

There you have it.

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